happened to watch young adam again after a few years and so happens that i also watched keinohrhasen (rabbit without ears) the day after. couldn’t help but think of the leading male characters, joe and ludo, in both films. both men are good looking, get lots of sex, seem callous, but that’s about all they roughly have in common.
the difference in mood in both films is stark. keinohrhasen is bright, slick, funny, more common to daily life. ludo is a tabloid reporter (at least his writing is more successful than joe’s dabbling in porno fiction), a typical jock in all sense of the word and his sleeping around changes forever after meeting one particular girl. cliche no? the film is certainly more entertaining than thought-provoking. but that should by no means give it less credit for its own merit. granted both films are totally different in genre, but keinohrhasen is a good reminder of the current social, and sexual, condition between single men and women. but for me, it heightens the difference in joe’s character even more.
young adam is dark, brooding, unknown. as serious drama, it is not a pretty film but joe is absolutely fascinating as a character. what made him what he is? what drives him? it’s hard to say sex does. it just happens so much it seems. either he gets it from whoever is in front of him at the time, or women want it from him and he just obliges. based on that he appears to have no social mores and is certainly not an innocent or even likeable character, but yet he’s not a villain either. romance just doesn’t exist in real daily life here.
a drifter, a hustler, a guy with no future, low on the social rungs, on the fringe, whose life revolves around odd jobs half the time and fucking for most of the other. he seems to be seeking somewhere in his head but goes nowhere, and physically that translates into non-action outwardly as well. what does he seek? to feel alive, to be something more, to have power, to not be at the bottom of the barrel, to escape? ludo on the other hand is very much a do-er and his sexual exploits are as much a crowning achievement as his best gossip rag scoops.
for joe, it seems that despite his attempts to do something more they turn out to be ineffectual anyway, the clearest sign of this being the anonymous note he tries writing to clear an innocent man of murder. the other arguable thing is when he tried being a writer, arguable because it’s hard to believe how much he wanted it to work or was just using it as a means to buy time living with his girlfriend. regardless, the sense of futility surrounding his life increases towards the end of the film, which also makes the audience feel increasingly sorry for him even as he may still not be liked. by then he is once again a man with no past, background, links, relationships. all discarded, lost, thrown into the water. and there is something utterly bleak in his existential continuance. is this the reality of the human condition at its most low? desire for idealism but in reality most futile?
young adam makes me wonder what it would be like if all the sex was taken out. after all it is said that when alexander trocchi was trying to publish the story, a publishing house said they would take it if he weaved sex into every 6 pages. and he did. in doing that, i wonder how much of joe’s character was changed. or was it simply fleshed out even more clearly through it? sex used by the characters to fill the voids in their lives, just as sex used by trocchi to fill the void he had in order to publish.
if joe had a local equivalent, what would he be like? if trocchi’s story, originally set in the 50s, had a local equivalent, what would that be like?

